It's Queer, it's here, it's opera Despite William Burroughs' renown, his autobiographical novel "Queer" was unpublished for 30 years after it was written. Erling Wold, in association with ODC, has transformed Burroughs' story into a dark, comedic chamber opera, featuring song, music, dance and spoken word, premiering at ODC tonight.
Fred Dodsworth: Why "Queer"?
Erling Wold: I loved this book when I read it 15 years ago. I just identified with the character. I identified with the unrequited love in it. I was really taken with the language and the feeling of it, the emotion of it.
Q: Tell me about the emotion.
A: It's an autobiographical novel. The character William Lee is Burroughs, and he falls for this younger guy named Eugene Allerton who is... it's a little unclear what he is. He's either closeted or indifferent or a hustler or something. He responds to Lee but he doesn't... kind of... (Nervous chuckle.) He responds but not completely.
Basically it's a sad, unrequited love story. This is probably the best description of that I've ever read, either in gay or straight or whatever literature. This is actually one of my favorite kinds of stories.
A: I like that emotion, that feeling where you're really drawn to somebody and you just can't have them. (Nervous laughter.) I'm very attracted to that kind of story and that kind of feeling. It's a very romantic story.
In fact, Queer, the character, is a hopeless romantic. That's a big part of the way it's done. Lee sings. Allerton only speaks. It's very much Lee's story. The whole story is told from Lee's point of view. All the characters are only there in as much as they are a reflection of what Lee is feeling for that person at that moment. They're never presented in any kind of three-dimensional way. He's kind of a boorish guy in some ways. He's kind of racist. He's an ugly American in Mexico City...
Q: Isn't this when Burroughs "accidentally" killed his wife?
A: He killed his wife and then became a writer. Allen Ginsberg thinks she was committing suicide. They were playing William Tell with a shot glass. Who knows? They were both drunk. He was an excellent shot. It's unclear what was going on.
Burroughs and his wife had a very interesting relationship. They were very close. They were like soulmates, but he was a pretty gay guy. This is a time when people didn't tend to identify themselves as being gay, but he does. He's very outspoken about it. He's very open about it and, in fact, he's angry with the world because it interferes with all the things that are important to him -- being gay, being a junkie. The world gets in the way of that.
Q: Gay? Married?
A: Early in his life he was a big ladies man. He also liked men from early on. At this time he's living in Mexico City with his wife but he's totally going after all the Mexican boys he sees, plus this Allerton guy, and he has this little circle of queer friends that hang around in this ex-patriot bar community. I don't know what that all means. Later in life he became a misogynist. He decided that women were evil.
Q: Do you assume any responsibility when you promote this work?
A: I don't know if I take responsibility for every single thing but I do like certain things about his worldview. They do connect with me. I understand this idea that the world is in your way... that there're a lot of people who disapprove of what you're doing. That's VERY annoying.
Q: What is the responsibility of an artist?
A: I've come to believe you do it as a philanthropic gesture to the world. You're not in it for yourself -- not doing the kind of thing that I do -- that's not commercial. The only kind of reason I can see that makes sense is that you're driven to do it, but also, hopefully, you're giving people some cultural experiences that will be important to them. I think there's a certain amount of social responsibility, but I think that just comes from yourself. You just do things that are true to what you believe, and that's as much as you do.
Q: Are you trying to teach social lessons?
A: I'm not -- except in the fact that the things I pick are what I believe in. "I believe in this, but you can take it or leave it." (Laughter.) I don't know that I'm trying to convince people. I know that if you "touch" people, you tend to convince them of something that you believe. I like that.
I think there's a place for social art. Some people who do it transcend it. You have to have something to get you started. For some people that's a social concept and for some people it's a theoretical concept.
Q: Is this show audience-specific?
A: No, it's not.
Q: Even with a title like "Queer"?
A: It's an interesting title. In a way his use of the word "queer" is more like "odd." He's an odd person. He's outside of whatever. More than being queer like it is now, which is a political word. This is all before that. It's weird. Oddball guy. It obviously means gay or fag or whatever but... I think there's a universal aspect to the story. It's a love story. It's also a crazy Burroughs' story. He goes on these large flights of fantasy. Those are enjoyable.
But this piece is the first time I've ever had someone send me a nasty note back from an e-mail announcement, saying, "Take me off your mailing list," and sending a Bible verse along with it. I've done things that were loaded in the past, that were questionable, but this is still a topic that people get upset about.
Q: Do you think our local community still is homophobic?
A: Obviously. I think it's very strong. We're lucky we live in a part of the world that's much more reasonable about these things. Outside of this geographical area it's... very intense. Everybody knows this.
Q: I don't think everybody knows this. Let's go back to unrequited love, is that the natural state of love?
A: Noooooo. This is not every aspect of my life, this is one aspect. I think what attracted me is the strength of that emotion. Emotions like jealousy, unrequited love, desire, longing, in some ways those are even stronger than when you settle in. I think those emotions are stronger. I think I feel them more strongly. Since I come from a very emotional place when I write music, I think the stronger emotions even drive me more.
Q: Are you trying to shock?
A: There's a certain appeal to shocking people, to saying there's this aspect of life outside of what you normally think about. There are aspects of living that are not discussed a great deal. I do like pieces that touch on those things. Sometimes it's fun to shock people, just to shock people. That doesn't interest me so much, although sometimes it's fun. I like those certain aspects of life that are on the edge and I've always had things that interest me a lot -- sexuality, dreams, religion.
It probably has something to do with the way I was raised. I was raised in a Lutheran family. My father was a minister and my mother worked in the church. Sometimes when you say to people you were raised in a Christian family that seems like some horrible thing. It was actually very pleasant. My parents were very considerate. In some ways they were more liberal than I was when I was growing up. I remember coming home from college and finding out they were active in some gay-lesbian community inside the Lutheran Church.
Q: Did you come out then?
A: Actually... well... here's an interesting thing. I am not gay. I'm not necessarily not a gay person but... I don't necessarily know how much of this I want published.
Q: You're the one that's producing an opera titled "Queer"
A: Well... I...
Q: ... and you're not even gay.
A: That's an interesting thing, isn't it?
Performances through Saturday, April 14, and Thursday-Sunday, April 19-22, at ODC Theater, 3153 17th St. ODC's home page is at www.odcdance.org/theater
E-mail Fred Dodsworth: email@example.com