Theological, phrenological, surgical

John Duykers performing I'm no murderer from Mordake at Intersection for the Arts, San Francisco, 10th of January 2008. Libretto by Douglas Kearney, directed by Melissa Weaver, production by matt:matt, costume by Kathleen Crowley, with some buzzy extra sounds from Thom Blum, filming by James Bisso, with a backdrop of an altered photo taken by Lynne of a bedroom of the Reutlinger House.

I wrote the gender changing software used at the end - a phase vocoder with formant shifting - for Korporate Marionettes. In this aria, Edvard Mordake tries to shuffle off responsibility for beating his man onto The Other, his shadow, his sister. The text setting in this opera is turning out to be a bit different for me, less driven by the prosody and with more common meters instead of the different-meter-on-every-bar or melodies floating in their own rhythmic world above more regular but still less common meters. Maybe this is because Douglas's words are more poetic and less prose-like than my usual texts. One unintended but happy result is that there is much less need for a conductor.

Bad poetry

Once again Jim Bisso and I found ourselves on DJ Bunnywhiskers, this time reading our favorite bad poetry, some badly written, some badly or baldly sentimental, some bad by its very nature. The show is here, good and bad mystical unicorn poetry is here, and some pro-war poetry of the Axis and the Central Powers and the Allies of both world wars is here.